Vea Mafile'o: Digital Launima

Past Exhibitions

Vea Mafile'o: Digital Launima

14 June 2018 - 6 July 2018

Gallery Two


Digital Launima: roomsheet


Vea Mafile’o, Digital Launima (working image), 2017. Image courtesy of the artist.

The Digital Launima is an artistic me’a ofa or gifting. In Vea Mafile’o’s work the ngatu launima (Tongan tapa) is made digitally, the images stitched together in a formation that honours the older form. The term launima indicates it has 50 langanga, or panels. Vea’s project has a particular focus on the role of women as makers of koloa faka-Tonga, holders of knowledge and skills that transform and sustain community, and a contemporary form that can be shared.

“As a young Tongan woman I am expected to have koloa faka-Tonga, to make them or gather them by buying them. Koloa faka-Tonga are fine mats, woven mats, Ta’ovala (mats worn round the waist), kie kie (worn by women round the waist), baskets and different sized tapa cloths. Koloa faka-Tonga is something I don’t have the skills to make properly. I could learn but I have realised my strengths are in gathering moving images. This is my digital koloa, my contribution to my family’s koloa... Being hafikasi and living in New Zealand means we have to make new ways to keep our koloa and koloa faka-Tonga alive and adapt it to how we live in the world today.” — Vea Mafile’o

Vea Mafile’o (Tongan/Māori/Scottish) works primarily in film, often influenced by growing up spending her time between the Waikato and Ha’apai in Tonga. Her works focus on the environmental, political and social events in Tonga, particularly in the Ha’apai Island group where her family is from. Vea has exhibited in group and solo exhibitions including This Time of Useful Consciousness—Political Ecology Now, The Dowse Art Museum (Lower Hutt), 2017; The Cold Islanders, curated by Leafa Wilson, Waikato Museum of Art and History (Hamilton), 2017; Imaginary Dateline, presented by Artspace NZ in Venice, 2015; Tauhi Vā: the art of socio-spatial relation, Tongan Artists’ collective No’o Fakataha, Fresh Gallery (Ōtara), 2014; Tonga ‘I Onopooni: Tonga Contemporary, curated by Nina Kinahoi Tonga, Pātaka (Porirua), 2014; Tongan to the Bone, Ōtara Cube (Ōtara), 2013; No’o Fakataha, Atenisi University (Tonga), 2013; Who will douse the kingdom?, curated by Bruce E. Philips, Te Tuhi (Pakuranga), 2008. Vea is currently developing her first feature film.


Vea Mafile’o, Digital Launima (working image), 2017. Image courtesy of the artist.

Vea Mafile’o, Digital Launima (working image), 2017. Image courtesy of the artist.